Biography
Conductor, Composer, Singer, Scholar, History Communicator
A pilgrim through space and time
A pilgrim through space and time
Enrico Correggia is a versatile musician: he studied trumpet, composition and archaeology in Sardinia, graduating in choral conducting at the F.A. Bonporti conservatoire in Trento. He has always been particularly interested to the study and enhancement of sacred music from the Middle Ages and Renaissance and has a very intense concert activity as a conductor and singer.
He has been part of Feniarco's National Youth Choir for eight years and, for his deep bass voice, is in demand in several professional ensembles in Italy (Odhecaton, Anonima Frottolisti, Ars Cantica, Cremona Antiqua...) and abroad (Sistine Chapel Choir, Utopia & Reality Chamber Choir). Founder and conductor of a few specialized ensembles, including the Allegri Penitenti, he conducted for three years the Sardinian Youth Choir together with Claudia Dolce.
He is also widely appreciated as a scholar and a lecturer: besides the musical activity, he works as a history communicator and teacher in seminars on performance practice. For three years he was an announcer of the Festival MITO Settembremusica, mainly working in Milan. He is a regular contributor to Feniarco's magazine Choraliter, where he writes a column about choral music history (#Criptobiblioteca). In 2020 he published his own critical edition of Tomás Luis De Victoria’s Officium Hebdomadae Sanctae.
He has been part of Feniarco's National Youth Choir for eight years and, for his deep bass voice, is in demand in several professional ensembles in Italy (Odhecaton, Anonima Frottolisti, Ars Cantica, Cremona Antiqua...) and abroad (Sistine Chapel Choir, Utopia & Reality Chamber Choir). Founder and conductor of a few specialized ensembles, including the Allegri Penitenti, he conducted for three years the Sardinian Youth Choir together with Claudia Dolce.
He is also widely appreciated as a scholar and a lecturer: besides the musical activity, he works as a history communicator and teacher in seminars on performance practice. For three years he was an announcer of the Festival MITO Settembremusica, mainly working in Milan. He is a regular contributor to Feniarco's magazine Choraliter, where he writes a column about choral music history (#Criptobiblioteca). In 2020 he published his own critical edition of Tomás Luis De Victoria’s Officium Hebdomadae Sanctae.
